Login
Registered users
Wu Bin deconstructs the design language and sensory elements of Tibetan dwellings to infuse the space with the power of the mountains. Through sound, color, texture, and form, the design seeks equilibrium and meaning between the sacred and the quotidian. Drawing inspiration from the texture of local whitewash and the square structures of "Tnkhar" houses, the design integrates modernist architectural language with the raw, organic spirit of the locality. The narrow gaps between the stone façade and the pathways become gateways to a journey of introspection. Each step reveals glimpses of distant mountains and light, creating a narrative of anticipation.
The voting session is closed
We restructured the interior circulation to evoke the symbolism of a "White Tower," introducing a vertical spatial experience grounded in local sensibility. A single volume is rotated forty-five degrees, with the staircase spiraling through it—quiet yet forceful—forming a pathway. In response to the site's high-altitude conditions, we reduced the stair height from five to three stories, detaching it from the main structure.
The original viewports were redefined. We extended the rooftop terrace toward the water surface, enhancing the spatial perception of the narrow viewing slit. Visitors move through this passage—a compressed threshold leading to an elevated terrace, where a Mani-inspired sculpture frames the snow-covered landscape, creating visual depth and contrast within the scene.
The project draws deeply from its site’s geographic and cultural specificity, prioritizing a design approach that integrates the spatial rhythm of the snow mountain environment rather than imposing a formal aesthetic. We deliberately worked with existing site conditions—orientation, climate, and topography—to shape passive strategies for lighting, ventilation, and material use. We reorganized structural layouts and circulation within the existing architectural framework, enabling spatial efficiency while preserving embodied energy. Natural stone from the site was used for the outer wall, forming a stepped enclosure that resonates with the terrain. This minimized material transport and waste, while reinforcing a sense of place. The architecture grows from its context—quietly, gradually, and in resonance with its environment.
Meri Poodom Hotel reinterprets the spirit of a site steeped in local culture. Wu Bin's design establishes a restrained, respectful dialogue between human habitation and the surrounding sacred landscape. Drawing inspiration from the vernacular forms of Tibetan dwellings, the design merges modernist language with raw, grounded materiality.
The hotel becomes a medium between man and nature, amplifying the emotional presence of the landscape through space. With all rooms oriented south for optimal breathtaking views of Meili Snow Mountain, the north-facing corridor became monotonous. By inserting a shared "Moment" space at the core, we transformed an otherwise ordinary hallway into a site of spontaneous interaction. The design integrates deeply into the site, allowing its physicality and spirit to shape the spatial experience. Circulation is conceived as a fluid, unified path where indoor and outdoor, near and far, dissolve into one continuum. This immersive procession invites guests to perceive the sanctity of nature, transforming the act of dwelling into a personal ritual of communion with the snow mountains.
Perched at 3,600 meters on a Meili Snow Mountain viewing platform, the Deqin Meri Poodom Hotel embodies a journey from the mundane to the sacred. Exploring the essence of "locality," the design transforms this space into "my home in the snow mountains"—a sanctuary for deep dialogue with nature, faith, and the self. This space beneath Meili Snow Mountain becomes a secluded sanctuary where urban dwellers can slow down, reflect, and rediscover the essence of living.
Wu Bin, the founder of W.DESIGN and a renowned designer, has extensive experience in interior, architectural, and product design spanning over 20 years. He is known for pioneering the " Modern Orientalism " design language. In 2020, Wu Bin was honored with "Designer of the Year" award at the 24th Andrew Martin International Interior Design Awards, becoming the first designer from mainland China to receive this accolade.
W.DESIGN, founded by renowned designer Wu Bin, is a leading force in design, blending 20 years of expertise across research, design, soft furnishings, and implementation. With a focus on Eastern culture, W.DESIGN embodies "Modern Orientalism" design philosophy, merging culture, time, and mystery. Embracing innovation, W.DESIGN breaks traditional boundaries, shaping the future of design with visionary ideas.
https://www.designerwubin.com/
