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The Shangshan Culture is the origin of China's agricultural civilization, and the Shangshan Site is an important cultural heritage with significant archaeological value. The museum in the heritage park is surrounded by vast rice fields and villages. Based on the design concept of "the rice ear as the principle and the environment as the form", the project extracts "rice" as an important historical thread of Shangshan Culture and abstractly expresses it in the geometric shape of the building. From a distance, the undulant outline of the museum looks like grains of carbonized rice scattering across the vast field. The unit-like and group-like architectural forms implicitly convey the connection between the building and the agricultural village culture.
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Our ancestors once sowed rice seeds and harvested grains here. Currently, the major challenge is to integrate this "new" museum into the "original" land. Out of respect for the original ecological environment, the design team employes modern construction techniques and ecological material technologies and the natural landscape to create a place where the past and the present converge. To reduce the impact of the museum on the overall appearance and echo the architectural texture of the surrounding villages, the design breaks down the building volume into smaller parts. The museum is lowered by 2 meters to blend into the surrounding landscape while ensuring sufficient exhibition hall height.
The design significantly lowers the height of the museum and buries more than half of the functional spaces deep underground, so that the exposed part can harmonize with the scale of the surrounding natural landscape. The cultural relics research area and the collection storage rooms, located on the first basement floor, are connected to the outside through three sunken courtyards, ensuring a quiet research environment and natural light and fresh air.
The building adopts a special steel-reinforced concrete shear wall structure, and the imposing and stable exterior shell highlights the long history of the Shangshan Culture and provides the necessary structural strength for the large-span, column-free exhibition space inside. Considering cultural relic protection, the above-ground space of the museum does not have exterior windows, and the entire building is covered with panels featuring the textures of carbonized wood and rammed earth. This design blurs the boundary between artificial objects and naturally grown ones, making the museum seem to have gained life and been integrated with the earth as one. Meanwhile, the architects embed local handcrafted pottery shards on the lower exterior walls, allowing visitors to experience the dance of fire and earth and listen to the dialogue between life and nature.
The Pujiang Shangshan Ruins Museum serves as the carrier for protecting and showcasing the Shangshan Ruins, and it is also a modern public building that integrates education, experience, and research. This design concept highlights the long time span and historical significance of the ancient civilization, and conveys to successive generations of visitors the philosophical idea of "harmonious coexistence and continuous existence" with nature.
The Architectural Design & Research Institute of Zhejiang University Co., Ltd. (UAD) was established in 1953. The mission of UAD is to seek “harmonious environment, global vision, design-teaching-research integration and innovation, and the highest professionalism”. UAD adopts the development strategy of “high-grade culture, broad vision, high-efficiency management, high-caliber talents, high professional technologies and high-quality works”, with the academic theory of “Balanced Architecture” as the design guideline. During the past decades, UAD has always persisted in creating fine and innovative works, contributing a large number of outstanding works in various fields.
