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Describing Minima's design means describing a conceptual journey: the Minima collection stems from a profound reflection on space and the essence of design. It is based on the search for a spatial microcosm, a balance between form and function, where small size and attention to detail become tools for generating new visual and spatial insights. It is the result of a thought process that translates into essential forms, capable of interacting harmoniously with the environment.
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This collection is characterized by bold shapes, small size and the new 30mm diameter rose that allows you to integrate with the neck of the handle to appear at one with the door.
Each model represents a small architectural microcosm, in which the detail becomes the protagonist.
Quarto echoes a quarter dome in its stem. Hemisfera features a hollow space in the shape of a hemisphere. Sash encases the lever in a compact frame, Tape transforms it into a ribbon that wraps around itself, and finally, Cut emphasises a net volume that projects itself into space.
The decision to craft Minima handles in aluminum reflects a conscious commitment to sustainability. Although the company already works with various materials, aluminum was chosen for two essential qualities: its lightness and its low environmental impact. Lightweight and endlessly recyclable, aluminum is a soft, warm metal that offers a distinctive tactile experience, combining technical performance with ecological responsibility.
The Minima Collection introduces for the first time the new 30mm rose.
Frascio’s patented new rose allowed for direct integration into the stem, giving the overall design of the handle a cleaner and more contemporary look.
Crafted in aluminium, a precise choice for a company that already use different materials. There are two key reasons behind this decision: lightness and sustainability. Aluminium is a lightweight, easily recyclable material, a soft and warm metal that surprises with its unmistakable tactility.
Made from a single extrusion mold, five shapes are obtained through successive mechanical processes, which make up the Minima Collection line.
The hand and space are essential aspects of human nature: the hand as a gesture of will, space as the setting for action and change. In this dialogue, the handle becomes both a symbol and a tool—connecting the individual to architecture. It is a threshold object, opening up the experience of space. This idea gives rise to a handle as an architectural microcosm, a detail that reflects the identity of the space it will reveal.
Marcello Cutino graduated in Industrial Design from Scuola Politecnica di Design in Milan. In 1980 he founded the BCF studio, a reality composed of three sectors: design, business communication and image. He received numerous national and international awards (Design Index, honorable mention at the Compasso d’Oro and nomination for the Spanish Delta award). In the last forty years of trading BCF design has gained important expertise in the bathroom and kitchen furnishing sectors.
