Drawing on the design of a traditional local barn, this residence in Germantown, New York state, is an extension of the owner’s artistic identity
Can architecture both feed and reflect its inhabitants’ personality and profession? Can it become an extension of an artistic identity? Textile and ceramic artist Miranda Fengyuan Zhang’s residence in Germantown, New York state, offers answers to these questions, demonstrating architecture’s ability to mirror an individual’s creative process and cultural roots.
Situated on the edge of a wooded hillside and surrounded by farmland, the home, designed by Büro Koray Duman, is a seamless fusion of nature, tradition, and artistic innovation.

The building draws inspiration from the local barn typology, reinterpreting it through sculptural techniques of folding, carving, and tilting. Its distinctive form has been shaped to create a dynamic balance between the residence’s functions and spaces.
The entrance and studio face north to allow natural light to enter through ribbon windows. Meanwhile, the living spaces face west, overlooking calm farmland scenes and the wooded hillside.

The exterior features black-stained cedar shingles, which give the residence a natural texture and an understated but appealing appearance. With cast-in-place concrete cladding, the south and north ends accentuate the typical barn profile, creating an interplay of volumes and lines. Two terraces – one shared, one on the upper floor – overlook the fields and surrounding forest, providing spaces that connect interior and exterior.

With over 230 m2 of floor space, the home includes two bedrooms, two bathrooms, a living room, a kitchen, and a studio for weaving and ceramics. This layout enables the artist to live and work in a setting that fosters concentration and inspiration, where materials themselves – such as wool, which is central to her work – guide the creative process.

The Germantown home reflects the themes of Zhang’s work: the duality between the natural and built environments, between tradition and innovation, and between tranquility and dynamism. Its architecture and natural setting both nourish the artist’s creative process, providing space for meditation and experimentation, where materials and forms combine to tell stories of memory, culture, and renewal.

Born in Shanghai in 1993, Miranda Fengyuan Zhang moved to New York, bringing with her a rich cultural background and an artistic approach that merges tradition and experimentation. Her textile and ceramic art is inspired by her memories of her grandmother, who, when times were hard, recycled sweaters by unstitching and reknitting them.

Zhang’s art features semi-abstract landscapes, animal silhouettes, rivers, and mountains that celebrate life and nature through vibrant materials and colors. Inspired by traditional Chinese ink painting, her technique involves improvised, instinct-driven processes without corrections and is distinguished by a heightened tactile and sensory perception.
>>> Discover Harlem Rectory, an artist’s house designed by GRT Architects

© Chris Mottalini
© Chris Mottalini
© Chris Mottalini

© Chris Mottalini
© Chris Mottalini
© Chris Mottalini
© Chris Mottalini
© Chris Mottalini
© Chris Mottalini
© Chris Mottalini
© Maksim Akelin
Location: Germantown, New York
Architect: Büro Koray Duman
Gross Floor Area: 232 m2
Design Team: Koray Duman, Matei Denes, Angelo Jones, Lauren Uhis
Main Contractor: Montana Contracting
Consultants
Structural: TYLin
MEP: E4P consulting engineering
Civil: C.T. Male Associates
AV/ Security: Self-Secured Networks
Sanitary Ware: Duravit
Cover Image by Chris Mottalini
Photography by Chris Mottalini / Maksim Akelin
All images courtesy of Büro Koray Duman